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1. #T RACKS 5 REVIEW SERIAL#
2. #T RACKS 5 REVIEW PRO#
3. #T RACKS 5 REVIEW TRIAL#
4. #T RACKS 5 REVIEW WINDOWS#

You can use it like that for a no-frills mastering job, or as a window into what makes a track you like sound the way it does. Master Match – a feature designed to automatically master your track using up to three other tracks as reference material. IK Multimedia added four new processors to the suite, bringing the number to an impressive 38 units. While it does lack eye candy as a side effect, the processors and visualizations make up for that with their detailed designs. We are fond of the new GUI, as it’s practical, efficient, and devoid of distractions.

#T RACKS 5 REVIEW SERIAL#

A newly added flexible module chain lets you drag and drop effects into a 16-processor chain in serial or parallel configuration. T-RackS is now a single-window application with that modern dark look and a scalable UI that fits every screen resolution.

#T RACKS 5 REVIEW PRO#

#T RACKS 5 REVIEW TRIAL#

Fully functional 14-day trial versions are available. When purchased individually, a single machine costs USD 79 (regular price: USD 99). The IK Multimedia Tape Machine Collection is now available at an introductory price of USD 99.

#T RACKS 5 REVIEW WINDOWS#

The supported plug-in formats are AU, VST2, VST3, and AAX on the Mac, and VST2, VST3, and AAX on Windows (64-bit only). Each of the four tape recorder emulations is also available individually. Like all T-RackS plug-ins, the Tape Machine Collection can be used inside the T-RackS 5 application or as a stand-alone plug-in. All types of tape are available on each of the tape machine emulations. You can choose from 3M/Scotch 250, Ampex 456 and 499, and Quantegy GP9 tape. The Tape Machine Collection also includes emulations of four different types of tape. IK Multimedia didn’t stop at emulating the tape recorders.

Furthermore, all emulations have a tape speed selector, which offers different settings depending on the modeled recorder.

There’s a true stereo mode, and a transport modeling switch which models the slight irregularities of the mechanical tape transport, according to IK Multimedia. “Input” bypasses the tape and only passes the signal through the machine’s electronic input and output stages. “Repro” runs the signal through the entire emulation, including the record and playback heads and the tape itself. You can choose from “input” and “repro” modes.

According to IK Multimedia, this lets you do quick A/B comparisons between them. Unlike the original machines, the emulations share the same set of controls, albeit with different layouts. With the Tape Machine Collection, you have promising new alternative to offerings like Softube Tape, Overloud Tapedesk, and the like. That’s a nice collection of some of the most iconic tape machines from the late 1960s to 1980s. IK Multimedia says that it restored the original machines to pristine condition, before emulating them using a mix of convolution and physical modeling. The models 24, 80, 99, and 440 represent the MCI JH24, Revox PR99 Mk II, Studer A80 Mk II, and Ampex 440B, respectively. The IK Multimedia Tape Machine Collection for T-RackS consists of four FX modules, each of which emulates a legendary tape recorder from the golden age of analog. The collection contains emulations of four classic tape recorders by Ampex, Studer, Revox, and MCI. Are you craving that classic reel-to-reel sound? IK Multimedia has just released the Tape Machine Collection for its T-RackS 5 mastering suite.